Video that makes your business impossible to scroll past.

Every project is delivered as finished, colour-graded video in the aspect ratios you actually publish in: 9:16 vertical for reels, stories and TikTok, 1:1 or 4:5 for feed, and 16:9 for your website, YouTube and in-store screens. Social clips are delivered with burned-in captions in the language of the cut, plus a clean version without captions so you can reuse the footage later. Licensed music is included in the price — you never inherit a copyright claim from a track we chose.

Files arrive through a download link that stays live, in web-optimized MP4 for publishing and, on request, the higher-bitrate master for your website or for a future edit. Where a project produces stills — a frame grab from a product close-up, a behind-the-scenes photo — those come with it at no extra charge.

Revisions are part of the quote, not an upsell. A short-form batch includes one round of revisions per clip; a brand or promo film includes two rounds on the first cut. A round means everything you want changed, sent to us in one list: trims, reorders, text corrections, music swaps, a different take. Structural changes that require reshooting are the only thing that reopens the quote, and we'll tell you before we do anything.

Before anything is filmed you get a shot list and a fixed quote. For interview-based work we write the questions and send them in advance so nobody has to memorize lines; for product, food or process work we build a sequence of shots that will cut together, which is what separates usable footage from a folder of pretty clips. If the project needs a script, we write it and you approve it before the shoot day.

Most local shoots wrap in half a day. We arrive with lighting and audio, work around your customers rather than closing you down, and shoot in the order that protects the perishable material first — food, a live service, changing daylight. Short-form batches are the most efficient format we offer: a single half-day on location typically yields four to eight finished vertical videos, which is a month or two of posting.

First cut lands within seven business days of the shoot. Rush delivery is available for events, launches and seasonal deadlines and is quoted up front. Because we keep the raw footage archived, a clip you filmed for one campaign can be recut later for another — a much cheaper way to stay consistent than booking a new shoot every month.

Three things make a shoot day go well: a decision-maker on site who can approve a shot, a space that has been tidied the way you'd want it seen on camera, and anyone appearing on video knowing in advance that they'll be filmed. If staff or customers will be recognizable, we handle release forms so your footage is safe to use in paid advertising later.

Tell us where the video will be published before we shoot, not after. A clip destined for a Meta ad, a clip for a trade show loop and a clip for your homepage are framed, paced and captioned differently, and the framing decision has to be made in-camera. This is the single most common reason businesses end up with footage they can't use.

Usage rights are unlimited and permanent for your own marketing — organic social, paid ads, website, email, print stills, in-store screens — with no expiry date and no per-platform fee. Talent, music and stock licensing are cleared as part of the project, and drone segments are flown by a Transport Canada certified pilot under commercial rules.